Monday, December 3, 2012
Flynn
Flynn's articles opened my eyes to the thought of differences between male and female composition. From my point of view, as a male, I do like to talk about my personal achievements or accomplishments because they make me proud of myself. The way I took Flynn's work was as if it was so self-centered to share your personal experiences instead of speaking about connections with others. Females are naturally more emotional than males (at least that's how I see it), so of course they will love talking about best friend memories and beautiful nature scences. However, males are capible of this as well. While I disagreed with that position from Flynn, I do believe men and women think write differently and the male has been dominate for some time. These gender roles have been becoming more equal as time goes on; women are just as intelligent as men and are respected in that light.
Friday, November 9, 2012
Project 3 Intro
College students at Ohio University have tight schedules. They have to be at class on time, go to many meetings and appointments, keep up with school work, get enough sleep, and, maybe most importantly, make sure they have food in their stomachs. With the available dining halls on campus, students have the opportunity to get food in alloted time frames for breakfast, lunch, and dinner. They go into the halls, get refreshments and refuel their busy bodies. But do they ever think of what goes on behind the scenes of the dining halls? The discourse community of these campus staples are actually very interesting, and I will be exploring Nelson Dining Hall for my project.
Thursday, November 8, 2012
Wysocki
This is an advertisement from Adidas. The ad expects the audience to know who the man is to the right, Muhammed Ali. He is contrasted from the dark background with his lighter shade and white shorts, making him glow. Although he is not aligned in the center of the photo, Ali is the first thing you notice because of his brightness and his fame as a professional boxer. In the bottom of the picture you see proximity with many words bunched together, contrasting again with the background. In this excerpt, you continually see the word "impossible" repeated, creating a main theme of the picture. This causes a huge reaction if you know all the struggles that Ali went through as a boxer and a person, and you can see a large amount of emotion on his face. After seeing all of this, you have to search for the tiny Adidas logo in the bottom right corner, hidden by the light of Ali's shorts.
Gee Dialectical Journal
Gee
Discourse (capital D) and “identity kit” (484)
“Discourses are not mastered by overt instruction, but by
enculturation into social practices through scaffolded and supported
interaction with people who have already mastered the Discourse.” (484)
“primary Discourse, is the one we first use to make sense of
the world and interact with others” (485)
Gee’s definition of “literacy”: “the mastery of or fluent
control over a secondary Discourse” (486)
“Someone cannot engage in a Discourse in a less than fully
fluent manner. You are either in it or you’re not.” (487)
“Discourse always involves more than writing and reading”
(488)
“Mushfake Discourse” “do with something less when the real
thing is not available” (490)
Wednesday, October 31, 2012
Project 3 Proposal
The discourse community I choose to explore is my job working at Nelson Dining Hall. I want to show how the use of literature and writing effects the workers and how they interact with each other.
Project 3 Proposal
The discourse community I choose to explore is my job working at Nelson Dining Hall. I want to show how the use of literature and writing effects the workers and how they interact with each other.
Monday, October 29, 2012
Swales Dialectic Journal
Dialectic Journal – Swales (WAW, 464-78)
“A discourse community has a broadly agreed set of common
public goals.” (471)
“The goals are public, because spies may join speech and
discourse communities for hidden purposes of subversion, while more ordinary people
may join organizations with private hopes of commercial or romantic
advancement.” (471)
“A discourse community has mechanisms of intercommunication
among its members.” (471)
“A discourse community uses its participatory mechanisms
primarily to provide information and feedback.” (472)
“A discourse community utilizes and hence possesses one or
more genres in the communicative furtherance of its aims.” (472)
“Discoursal expectations are created by the genres that
articulate the operations of the discourse community.” (472)
“In addition to owning genres, a discourse community has
acquired some specific lexis.” (473)
“The inbuilt dynamic towards an increasingly shared and
specialized terminology is realized through the development of
community-specific abbreviations and acronyms.” (473)
“A discourse community has a threshold level of members with
a suitable degree of relevant content and Discoursal expertise.” (473)
“Survival of the community depends on a reasonable ratio
between novices and experts.” (473)
“The members of the discourse community [HKSC] have,
superficially at least, nothing in common except their shared hobby interest.”
(474)
Wednesday, October 3, 2012
Shitty 1st Draft
How
It All Began…
Reading has had
such a love-hate relationship with me. From my young days in elementary school
to now, my feelings have flip-flopped about reading. Some of my earliest and
greatest memories of reading come from being at my first school, Taft
Elementary in Cincinnati, Ohio. I can’t remember what grade I was in, maybe
first or second, but I remember having to see alone with a teacher and reading
paragraphs out of a book out-loud. I found reading very easy. I was told that I
was on an eighth grade reading level at this time, which made me happy. I was
one of the few children in my grade that tested this high, which was great to
me. However, I felt alone because a lot of my classmates chose to goof off and
not do work, so being considered “smart” isolated me a bit.
I started to enjoy
reading when it came to video games at a young age. I remember playing systems
such as the Sega Genesis and Playstation 2 with my brothers. It’s funny that I say
“with my brothers” because I hated sharing the game with them and wish I could
have had it to myself. Nevertheless, when we got stuck or wanted more things to
do on a game, we turned to strategy guides. Two of my biggest memories would be
from the games “Mortal Kombat: Trilogy” and “God of War.” Mortal Kombat is a
fighting game about a tournament to decide the best fighter in the world and ultimately
becomes a struggle between the Earthrealm and Outerworld. The game was filled
with blood and gore, and being not even a teenager yet, I should not have been
allowed to play. Anyway, the characters fought until someone’s health meter was
empty, and then you could perform a fatality (a cool way to kill the enemy).
These were virtually impossible to figure out on your own because of a complex
combination of button-pressing required. To satisfy my gaming experience, I
picked up a strategy guide and in no time I was electrocuting people to death
with Raiden, for example.
Another game that
led me to read was God of War. This game was based on Greek mythology and
featured many gods and goddesses, such as Zeus, Ares, Athena, and Hades. The
main character, Kratos, is on a mission to kill the Ares (the God of War). Along
his journey he faces difficult enemies and puzzles, many of which I had
troubles against. So again, a strategy guide was used. This showed me the
tricks to the puzzles that I could not solve on my own; ways to defeat the
different types of enemies; places to find hidden treasures and easter eggs;
and strategies to pass certain levels of the game. No longer did the Hydra
smash me, and Ares was no match.
Bell Hooks - Writing Autobiography
QDJ
1) When hooks said she wanted to "kill" herself through her writing, she meant that she wanted to get rid of all the bad aspects about her past that held her back. If you write an autobiography, it is sometimes hard to open up when you have not let go. hooks wanted to release her inner demons so she could accurately describe her life in her autobiography.
2) Bio-mythology is a retelling of life events, not just the way they happened, but as the person remembers the experiences. hooks' work is a bio-mythology because she was not trying to be completely accurate on her memories. In fact, she wasn't even sure if some of the memories happened, like the train incident. Her account of remembering these events showed her emotions and thoughts, like being affraid of getting stuck on the train tracks.
3) hooks uses the image of a hope chest to frame her autobiography; the hope chest holds all her inner memories with the most value. I would frame my autobiography with a fish aquarium. When I was younger, my parents always put leftover change in a fish aquarium. There were all kinds of coins and bills in there, usually small. However, every cent was important because it added up to a lot of money. I think of my memories in this way; that no matter how big or small, they add up to make out my life as it is today.
AEI
2) Identity is not something that a person can change through text. Though a writer may change his or her name, it does not stop them from truly being that person and still being associated with the other name. People change their names for many different reasons, but a name has nothing to do with identity. Identity is who you really are at heart, your soul and beliefs. bell hooks did not change her identity by taking up a new name. However, she did want to avoid the bad rep that came with her former name, Gloria Jean Watkins. This was her way of dissassociating herself with the past actions of her life.
1) When hooks said she wanted to "kill" herself through her writing, she meant that she wanted to get rid of all the bad aspects about her past that held her back. If you write an autobiography, it is sometimes hard to open up when you have not let go. hooks wanted to release her inner demons so she could accurately describe her life in her autobiography.
2) Bio-mythology is a retelling of life events, not just the way they happened, but as the person remembers the experiences. hooks' work is a bio-mythology because she was not trying to be completely accurate on her memories. In fact, she wasn't even sure if some of the memories happened, like the train incident. Her account of remembering these events showed her emotions and thoughts, like being affraid of getting stuck on the train tracks.
3) hooks uses the image of a hope chest to frame her autobiography; the hope chest holds all her inner memories with the most value. I would frame my autobiography with a fish aquarium. When I was younger, my parents always put leftover change in a fish aquarium. There were all kinds of coins and bills in there, usually small. However, every cent was important because it added up to a lot of money. I think of my memories in this way; that no matter how big or small, they add up to make out my life as it is today.
AEI
2) Identity is not something that a person can change through text. Though a writer may change his or her name, it does not stop them from truly being that person and still being associated with the other name. People change their names for many different reasons, but a name has nothing to do with identity. Identity is who you really are at heart, your soul and beliefs. bell hooks did not change her identity by taking up a new name. However, she did want to avoid the bad rep that came with her former name, Gloria Jean Watkins. This was her way of dissassociating herself with the past actions of her life.
Tuesday, October 2, 2012
Project #1 Peer Review
Sorry for the delay on the review Chris and Brandon. I am emailing you both the completed review or Chris's paper, highlighted and commented with my cover letter at the beginning.
Monday, October 1, 2012
Dialectic Journal
Dialectic Journal – Deborah Brandt, “Sponsors of Literacy”
Quotes
“Sponsors, as I have come to think of them, are any agents,
local or distant, concrete or abstract, who enable, support, teach, model, as
well as recruit, regulate, suppress, or withhold literacy – and gain advantage
by it in some way.” (334)
-
The concept of a sponsor is any person who has
something to do with another’s literacy learning.
“Literacy learning throughout history has always required
permission, sanction, assistance, coercion, or, at minimum, contact with
existing trade routes.” (334)
-
No one goes through literacy learning on his or
her own; somehow, other people or organizations are connected.
“Most of the time, however, literacy takes its shape from
the interests of its sponsors.”(335)
-
The sponsor’s influence usually guides the
learner and transfers the same ideas onto that person.
“Literacy, like land, is a valued commodity in this economy,
a key resource in gaining profit and edge.” (336)
-
Without literacy, it is highly unlikely for a
person to be successful in society.
“A statistical correlation between high literacy achievement
and high socioeconomic, majority-race status routinely shows up in results of
national tests of reading and writing performance.” (336-337)
-
The higher you are ranked in society, chances
are that you are a literate person, compared to lower ranked, poorer people.
“Economic and political forces . . . affect people’s
day-to-day ability to seek out and practice literacy.” (339)
-
Depending on a person’s struggles, it may be
harder for that person to become literate.
“As a result of wins, losses, or compromises, institutions
undergo change, affecting the kinds of literacy they promulgate and the status
that such literacy has in the larger society.” (343)
-
Institutions change as time passes and because
institutions affect the literacy of some people, the people have to change as
well.
“Where once the same sponsoring arrangements could maintain
value across a generation or more, forms of literacy and their sponsors can now
rise and recede many times within a single life span.” (344)
-
Times are changing faster in today’s society,
which makes sponsoring strategies adapt quicker as well.
Friday, September 21, 2012
Project #1 Intro & Synthesis
Zachary Trimm
Writing and Rhetoric I
21 September 2012
Project #1:
Questioning a Writing Construct (INTRO)
The concept of
procrastination is well known in the learning community. Let’s be honest, this
concept is often one that many students consider instantly as an instructor
assigns work to be done. Some view procrastination as lazy, undetermined
students ignoring homework and projects to go do such useless tasks as play
video games or go to parties. Others see procrastination as a tactic to thrill
an individual by having less time to meet deadlines. One proven cause of
procrastination is that students thought the assignment was difficult, not
enjoyable, and required a large amount of effort, which turned them away
(Wilson). There is much debate on why procrastination is wrong, why we as
humans procrastinate, and methods to help prevent procrastination. In reality,
the construct should not apply to all students. Procrastination can actually be
significantly helpful to some, depending on how it is done.
Project #1: Questioning a Writing Construct (SYNTHESIS)
Sources show that
student will to work is not the only cause of academic procrastination. Eun Hee
Seo does research on the difference between active procrastinators and passive
procrastinators, as well as the effect of cramming. Active procrastinators are
those who make “intentional decisions to procrastinate,” while passive
procrastinators “postpone their tasks until the last minute because of an
inability to make the decision to act in a timely manner.” Her experiments
showed that active procrastinators had higher levels of academic achievement
than passive procrastinators. The results also state that crammers can be
successful just as much as those who actively study ahead of time.
Another view of
procrastination comes from Wilson, who says that the assignment is the main
cause for the act. When a student gets it into his or her head that the task
might take some serious effort, that student is likely to put it off out of
fear.
Wednesday, September 19, 2012
Stephen Bernhardt
Reader Response
In “Seeing the Text,” Stephen Bernhardt stresses visual presentation of writing as a way for the audience to understand the text. Bernhardt wants his readers to organize their writings in a format that will interest the reader. When writing a paper, visual methods are used show which ideas are most important to the overall meaning. Other methods are used to separate ideas and to group ideas with others. Bernhardt wants the reader to be aware of these methods, which may seem obvious, but will help with connecting to the audience.
Bernhardt’s passage has connections to Berger’s “Ways of Seeing” article. Berger explained the ways an image can be interpreted just by differences in the way people look, the background, etc. The same can be applied to text; someone can decide how they see text by how it is grouped, if anything is in the background of the text, any pictures or graphics, etc. McCloud’s article also goes along with the idea of visual text. Instead of simply writing a paper full of paragraphs, McCloud used a comic book format because he believed it would transfer his ideas to his audience in a more appropriate way.
I thought it was weird that Bernhardt would spend so much time on the concept of visual text when his use of it was not very interesting. Besides adding an example of something with effective visual organization, Bernhardt did not keep me engaged with his reading. I thought that someone who seemed to understand the concept could have done a better job of displaying it to the audience. Also, it would be tricky using Bernhardt’s concept in papers such as essays because there are so many established formats that students have to follow when writing. When making ads, power-points, or other graphic-aided texts, however, Bernhardt is helpful in making decisions on how to organize the work.
QDJ
#4) I believe essays are supposed to follow a specific format because it would be easier to point out features of the essay that should be included. For instance, in the typical five paragraph essay has the format of one introductory paragraph, three body paragraphs, and one conclusion paragraph. If an instructor wanted to find the main goal or idea in the essay, one could simply look to the intro. By established formats, the reader does not have to search all over for the point, and it also allows the writer to be organized in his or her approach to the paper.
AEI
#3) Gestalt is the way that the visual aspect of the text affects the reader. How the text is presented to the reader will determine the way that he or she takes in the information, if at all. Bernhardt uses gestalt as he has all the paragraphs closely connected, meaning that they all are related in some way. In between some of the paragraphs, he places graphics. These images give the reader a break from tiny font, chunks of words and actually lets the reader interact with Bernhardt’s ideas.
Monday, September 17, 2012
James E. Porter
Reader Response
In
“Intertextuality and the Discourse Community,” Porter wants his readers to use
previous writings to build new concepts and ideas. Originality and creativity
are two hard ways of writing. One rarely comes up with completely new ideas on
their own. He says “the creative writer is the creative borrower,” which means
by producing concepts of your own from other writers’ material is that best
way.
Porter’s
argument is similar to Sarah Allen’s argument in “The Inspirer Writer vs. The
Real Writer.” Both writers say that shear originality and creativity are
difficult to come by. Even the writers who seem to have had original ideas may
have been inspired from other writings, such as Thomas Jefferson writing the
Declaration of Independence. Porter’s writing is also very similar to Kleine’s
research findings. Kleine’s subjects “gestured at a concerned community of
peers and found starting points within the ongoing discourse of such a
community.” This is exactly what Porter describes in his article: being
influenced by and writing to a discourse community.
The
article took a view that I have never seen before: creativity is not from
within. I thought this was interesting because when I think of being creative, I
think of ideas that are made up by you. I don’t always think of myself as the
most artsy or creative person, so Porter’s argument made me feel better about
that.
QDJ
#4) Porter's criterion on how writing should be evaluated is not much different than how I see it. When looking at text, there are many elements about it that have to be acceptable to the audience. Example of this would be grammar and tone. Text must follow many sentence rules and have an appropriate tone for the topic to be accepted. However, the arguments and ideas in a writing do not have to be accepted by audience to in order for it to be an acceptable writing. The goal of writing is to create new ideas and support them. It is the audience's choice to accept or refute ideas, but as long as the writing is relevant and appropriate it shouldn't be viewed as "bad." Many times my writing has been evaluated on being right or wrong. It also has been evaluated on length, for example, "essay must be 3-5 pages."
#5) In Porter's writing, he does many things that reflect the ideas he speaks about. One of his points is to use traces other writings to make new ideas. Porter constantly cites previous authors' findings and ideas to support his conclusion that writers should write to a discourse community.When writing to a community, the writer should have knowledgeof what the audience might presuppose. Porter easily connects to the readers by providing examples that the reader should be familiar with, like the Declaration of Independence. He continues by coming up with a conclusion that is new to the reader about that document.
AEI
#2) My new definition of plagarism would be "usage of someone else's work or ideas without the intention of making new ideas or mentioning the source." The course's definition of plagarism is "claiming another's ideas or work as your own or making up or falsifying information." The key difference would be that using another person's work, even without mentioning them, is acceptable as long as you don't completely use in the same way or context and you add your own thoughts to it.
MM
I do not think that having new ideas comes solely based on other writings. Of course, previous works will always have an effect on new works. However, there can be a difference between a big influence on writing and a small influence on writing. Adopting Porter's way of writing would not have a huge effect on my writing because I already write similar to his ways.
#4) Porter's criterion on how writing should be evaluated is not much different than how I see it. When looking at text, there are many elements about it that have to be acceptable to the audience. Example of this would be grammar and tone. Text must follow many sentence rules and have an appropriate tone for the topic to be accepted. However, the arguments and ideas in a writing do not have to be accepted by audience to in order for it to be an acceptable writing. The goal of writing is to create new ideas and support them. It is the audience's choice to accept or refute ideas, but as long as the writing is relevant and appropriate it shouldn't be viewed as "bad." Many times my writing has been evaluated on being right or wrong. It also has been evaluated on length, for example, "essay must be 3-5 pages."
#5) In Porter's writing, he does many things that reflect the ideas he speaks about. One of his points is to use traces other writings to make new ideas. Porter constantly cites previous authors' findings and ideas to support his conclusion that writers should write to a discourse community.When writing to a community, the writer should have knowledgeof what the audience might presuppose. Porter easily connects to the readers by providing examples that the reader should be familiar with, like the Declaration of Independence. He continues by coming up with a conclusion that is new to the reader about that document.
AEI
#2) My new definition of plagarism would be "usage of someone else's work or ideas without the intention of making new ideas or mentioning the source." The course's definition of plagarism is "claiming another's ideas or work as your own or making up or falsifying information." The key difference would be that using another person's work, even without mentioning them, is acceptable as long as you don't completely use in the same way or context and you add your own thoughts to it.
MM
I do not think that having new ideas comes solely based on other writings. Of course, previous works will always have an effect on new works. However, there can be a difference between a big influence on writing and a small influence on writing. Adopting Porter's way of writing would not have a huge effect on my writing because I already write similar to his ways.
Friday, September 14, 2012
Peter Elbow
Getting Ready to Read
#1) When on Facebook, you post things that are relevant and appropriate to your audience: your "friends." The point of Facebook is to communicate with friends and family about what is going on in your life. You can make status updates about your day and what you are thinking; upload pictures of memorable moments; and write on a friend's "wall" to contact them. You do not want to represent yourself in a bad way by posting offensive or irresponsible material, such as cursing or smoking weed. Doing such behavior could even get you in trouble with current or future employers. The goal is to show a mature personality while maintaining relationships with others.
QDJ
#1) I define voice as the tone and manner you present your ideas, values, research, etc. in your writing. There are all sorts of voices that can be used in writing, for example, a serious voice when talking about diseases or a calm voice when talking about yoga. The voice you use should correlate with the material that you use in the writing.
#3) Elbow changes from an informal voice when talking about the larger conversation of voice to a persuasive voice when talking about his own writing. He wants to inform the audience about the pros and cons of using voice in writing, but when it comes to his own article, Elbow wants the audience to realize that you can both agree and disagree with voice because it is not a one-way thing. Voice can be helpful or hurtful, depending on the situation.
AEI
#1) sincerity - honest meaning from your words; resonance - the substance and quality of material from your words
Connecting to Other Readings
#2) Voice is more of a way to escape the haunting ghost of the "Inspired Writer." When using your own personal voice, it is often easier to get thoughts across to an audience than to use an academic voice. The academic voice is very rigid, while a personal voice can be flexible and more students are used to being personal in today's society.
#1) When on Facebook, you post things that are relevant and appropriate to your audience: your "friends." The point of Facebook is to communicate with friends and family about what is going on in your life. You can make status updates about your day and what you are thinking; upload pictures of memorable moments; and write on a friend's "wall" to contact them. You do not want to represent yourself in a bad way by posting offensive or irresponsible material, such as cursing or smoking weed. Doing such behavior could even get you in trouble with current or future employers. The goal is to show a mature personality while maintaining relationships with others.
QDJ
#1) I define voice as the tone and manner you present your ideas, values, research, etc. in your writing. There are all sorts of voices that can be used in writing, for example, a serious voice when talking about diseases or a calm voice when talking about yoga. The voice you use should correlate with the material that you use in the writing.
#3) Elbow changes from an informal voice when talking about the larger conversation of voice to a persuasive voice when talking about his own writing. He wants to inform the audience about the pros and cons of using voice in writing, but when it comes to his own article, Elbow wants the audience to realize that you can both agree and disagree with voice because it is not a one-way thing. Voice can be helpful or hurtful, depending on the situation.
AEI
#1) sincerity - honest meaning from your words; resonance - the substance and quality of material from your words
Connecting to Other Readings
#2) Voice is more of a way to escape the haunting ghost of the "Inspired Writer." When using your own personal voice, it is often easier to get thoughts across to an audience than to use an academic voice. The academic voice is very rigid, while a personal voice can be flexible and more students are used to being personal in today's society.
Junot Diaz
My favorite article between Lamott, King, and Diaz would be Diaz's "Becoming a Writer." In his passage, Diaz explains a story of when he was writing a novel. His struggles represented for me a long-term, extreme version of writer's block. He started out good and had 75 pages of "pretty damn cool" material. This guy took ten years to write his novel; that's a long time! It just shows that good writers will often struggle a lot before producing good work. In a weird way this inspires me to never give up on my work because I have an example of someone who didn't and is famous for it.
Wednesday, September 12, 2012
Berkenkotter & Murray
Berkenkotter & Murray
Questions for Discussing and Journaling (QDJ)
#1) I thought that Murray's writing process was very complex and extensive. When I read about all of his note-taking and planning, I realized that he is beyond a critical thinker. Murray takes tons and tons of notes before actually writing - something I also do. I have to have visual evidence of my thoughts being in order for me to start writing a paper. One thing that I cannot relate with Murray on is his revision process. Murray produces several rough drafts before his actual final draft, whereas I may have one or two, if not none. I don't produce a draft until I am almost completely sure of what I want to be in my paper and how I want it in there.
#3) Berkenkotter's study showed her that the writing process doesn't always follow a linear schedule and is flexible. Murray's processes went back and forth between planning, revising, editing, evaluating, etc. Instead of doing one thing and then the next, many processes occur at the same time and cumulatively create the paper.
Applying and Exploring Ideas (AEI)
#1) When I write, I need to be at a desk or table because it makes me feel more productive for some reason. I need my environment to be quiet and distraction-free; I don't work well with music. I take a large amount of time to write, partly because I always second guess myself. Even when writing these responses, I disputed what I would write countless times. This is also a result of my experience. I have some writing experience, but I am not always sure what i should write, which makes me spend a considerable amount of time on processes that will take less time as my experience and comfort increases.
Meta Moment
One thing that I learned from the readings is that revision is a stronger tool than I thought. You will not always get your ideas across fluent and perfect the first time that you write them out. By going back to your paper and revising, you can get an overview of the completed project and add new insight or delete unnecessary thoughts. I used to think that going back to your paper would be a waste but might be something you miss so revision is a great tool.
Inspired Writer
E.L. James, the author of "Fifty Shades of Grey" says she was inspired to write her ground-breaking book from the "Twilight" series. In fact, she actually posted a version of her book on a Twilight fan site. She also said that this book came from her "midlife crisis" and that the book contained all her fantasies.
Monday, September 10, 2012
Berger - "Ways of Seeing"
Berger - "Ways of Seeing"
Before You Read
These two images of people have different views. When you see Dwayne Wade to the left, you think of a professional with a unique sense of style. When you see Rihanna to the right, you see a much more revealing style. This is one of the differences between media portrayal of man and woman. With men, having on a nice suit is the most common look of a well respected person. But with women, more body is shown and they are seen as sex symbols.
Questions for Discussing and Journaling (QDJ)
#2) Images of posed women are almost everywhere in advertising. For example, ads at bus stops show revealing women to attract customers to anything from make-up to clothing. These are similar to Berger's idea of women posing because they usually look at the spectator with a seductive face. Times have changed though. Back in the days of nude paintings, there was no make-up. Woman were depicted with natural beauty, whereas now women use tons of make-up to improve the lady's appearance. Also it is not acceptable for women to be displayed nude in most media, but that doesn't stop them from showing as much on a female's body as possible.
#4) Berger's intended audience is both men and women; men because he tells how nude images of women are made to satisfy them; women because he argues that woman always judge their own appearances.
McCloud - "Vocabulary of Comics"
Scott McCloud –
“Vocabulary of Comics”
Before You Read
My favorite cartoon used to be
“Dragon Ball Z.” I thought it was so cool because it depicted what looked like
real people but they could do superhuman things, such as fly and shoot energy
balls at enemies. I used to wish I could do some of these things. I mostly
related to Goku because he was very goofy but when the going got tough, he got
going.
In “Vocabulary of
Comics,” Scott McCloud uses the concept of “icons” to show that humans easily
associate pictures with messages, ideas, and people. There are many icons that
we see in everyday life. It is nearly impossible to disassociate images from
known meanings or understandings we are already used to. For example, McCloud
uses two dots and a line inside a circle to represent a human face. He does
this to say that using icons is a good way to artistically relate to the reader
without having to relay the message through words. It also allows people to
illustrate more creative ideas to the audience.
McCloud’s ideas
can be compared to Greene’s idea of “framing.” When you frame your paper, you
identify a specific message you want to get across to the intended audience.
McCloud says you can also do this by using icons. Also, an icon would be a less
difficult route because people instantly associate the message with the
picture.
I really liked the
comic view that McCloud used. It was easy to read and it also went extremely
well with the “icon” concept because he used pictures throughout the whole
passage. The reading reminded me of many things I already knew in a clever way.
Also, making allusions to many cartoons (The Simpsons, Teenage Mutant Ninja
Turtles, Bugs Bunny) helped me see McCloud’s point that humans make human faces
out of many things that we see. McCloud did a great job of keeping me engaged
while still explaining all the concepts of icons and their key differences.
Questions for Discussion and
Journaling (QDJ)
#2) McCloud uses the comic book
approach because it goes along perfectly with the message he is trying to
portray to the audience. He could have written an article about how icons are
so important, but it is much easily digested by the reader when you can physically
see examples of icons. For example, McCloud could have simply mentioned a cross
or a yin-yang sign, but by displaying the images the reader instantly applies
his or her knowledge about that icon.
#3) By using a less-detailed,
cartoon version of himself, McCloud took attention off of the character
displaying the ideas in the comic. However, the information was so understandable
that it would not have mattered who was explaining the concept. I was not too
consumed with the cartoon, and the only reason the realistic character version
made a difference is because the simple cartoon was used for the majority of
the comic. When cartoons are used, we often disregard the actual object or
figure that is used and associate the cartoon with the characteristics given by
the author. A turtle can fight crime; a rabbit can be tricky and clever; a
sponge can cook burgers.
Applying and Exploring Ideas
(AEI)
#4) McCloud’s concept of a face
being a human’s mask makes sense. People have all their thoughts and emotions
in their minds, and they use this outer mask to display what’s inside to
others. You could not be aware of other’s emotions if they did not have a mask,
unless you converse with them, and that still may not do enough. However, the
mask does not always show what people are thinking inside because they choose
to hide that from the rest of the world. Therefore, the mask concept is not
always effective.
Wednesday, September 5, 2012
Project #1 Proposal
Zachary Trimm
Writing and Rhetoric I
05 September 2012
Project #1 Questioning a Writing Construct (Proposal)
One of the most difficult constructs I used to struggle with was avoiding the word "things" in writing. Teachers always told me to be more specific when I write, but what bout when I previously mention what I refer to as a "thing?" I feel as if readers would know the idea I would try to get across.
Writing and Rhetoric I
05 September 2012
Project #1 Questioning a Writing Construct (Proposal)
One of the most difficult constructs I used to struggle with was avoiding the word "things" in writing. Teachers always told me to be more specific when I write, but what bout when I previously mention what I refer to as a "thing?" I feel as if readers would know the idea I would try to get across.
Kantz Article
Zachary Trimm
Writing and Rhetoric I
5 September 2012
Reading Response
pp. 67-85
In “Helping
Students Use Textual Sources Persuasively,” Margaret Kantz wants the reader to
realize that the text being read should always be questioned. Usually when
students read sources, such as textbooks, they assume that what they read is
automatically the truth. While what is in the text may be “facts,” Kantz argues
that these facts are actually just supported claims by the author and that can
still be refuted. This helps the reader because instead of writing research
papers that simply restate what many other writers have said about a topic, a
student can try to formulate a new argument about that topic. If a student
creates an original argument, it shows that he or she truly understands the
subject and thought about it critically. Maybe the most important aspect of
questioning material, you will get a better grade on research papers.
Kantz’ article is
similar to Greene’s article “Argument as Conversation: the Role of Inquiry in
Writing a Researched Argument.” In
Greene’s passage, he says “the way you position yourself will depend on three
things: which previously stated arguments you share, which previously stated
arguments you want to refute, and what new opinions and supporting information
you are going to bring to the conversation” (12-13). Kantz is trying to send a
related message, that when you read arguments that already exist you don’t
always have to agree; you can have your own opinions on the topic. Also, Kantz’
article is related to Kleine’s “What Is It We Do When We Write Articles Like
This One- and How Can We Get Students to Join Us?” In Kleine’s article, he
states the problem of students just copying material from sources without
critically thinking about it. This is the same argument that Kantz takes, and
the two writers both try to persuade readers to grasp the meanings and reasons
why the text was written the way it was.
I enjoyed the way
Kantz employed fictional characters into her article to show common thoughts of
people involved in the research paper process. For example, Shirley is
portrayed as a student who didn’t know to critically think about sources and
Dr. Boyer is portrayed as a teacher who didn’t know that the directions given may
have been too bleak. I also like the fact that Kantz recognizes that even
though she is giving aid to students about writing research papers, the concept
of creating an original argument is still tough. As a student, I never knew
that way the purpose of a research paper. However, I find the Kinneavy’s
triangle diagram to be helpful and I will use that process the next time I do a
research assignment.
Questions for Discussing and Journaling (QDj)
#1) Kantz has a unique definition
for the terms facts, opinions, and arguments. Facts and opinions are actually
claims, according to Kantz. The difference between the two is that a fact is a
claim that the audience will accept without proof and an opinion is a claim
that will not be accepted by the audience without proof, and even evidence is
given it may not be seen as the whole truth. Therefore, an argument is the way
a writer uses his or her claims, facts or opinions, to persuade an audience to
believe what he or she believes.
#2) Kantz says that students have trouble
with assignments because they have trouble with the texts they read. She says
that students misinterpret sources because they read them as stories instead of
thinking about them. Students often don’t know that “facts” are kinds of
“claims” that are used persuasively. Students also expect sources to tell the
truth, which they sometimes don’t. I agree with this notion, because I used to
read textbooks in high school just to soak in the information given. However, I
do think it will be difficult to break this reading pattern just because I have
done it for so long.
Applying
and Exploring Ideas (AEI)
#2) Before taking this course, I
learned that being creative in your research assignments was essential to
writing a good paper. I am finding out that being creative in your approach
will lead to success in this class as well. However, the ways of being creative
vary from what I was taught in high school to what I am learning now. For
instance, in high school I was told to come up with a unique topic (or one that
interested me, if I had to pick from given subjects) and find information about
it to share. Now, in college, I am learning to still find intriguing topics,
but instead of just gathering information I should question what I read and
form an original argument about my research. The relationship described by
Kantz gives more meaning to research projects than I have experienced from
other teachers.
Friday, August 31, 2012
Kleine Article
Zachary Trimm
Writing and Rhetoric
31 August 2012
Reading Response
pp. 22-32
In “What Is It We
Do When We Write Articles Like This One- and How Can We Get Students to Join
Us?” Michael Kleine wants to change the way students do their research papers.
According to Kleine, when most students go to do research they merely copy down
information pertaining to the subject the paper is about and mesh it together.
That is a problem. Research should be done to critically think about a topic,
to come up with new questions about a topic, to answer existing questions about
a topic, and to form a position on that topic. Kleine says that the methods
students use while researching leads to them not thinking the subject through.
Therefore, Kleine wanted to do his own research on how people go about
researching, using college professors with experience at writing research
papers as his subjects. His studies showed that the research process was more
effective when the researcher enjoyed the topic that he/she was exploring.
Kleine shares his discoveries not only to help students out with a possible
better way of researching and applying data, but also encourages instructors to
change lesson plans, to allow students to do assignments on what interests them
so that their minds can be free and more useful.
Kleine’s article
is a lot like the previous article we read, “Argument as Conversation: the Role
of Inquiry in Writing a Researched Argument” by Stuart Greene. The idea of a
“researched argument” from Greene is much like what Kleine wants to get across
to his audience. Both writers state that in research you can go after what you
specifically need in getting data or you can gather as much data as possible
and use what you can. While Greene referred to these methods as “two different
views of research” (Greene 19), Kleine argues that both methods are used
together in the research process, depending on the circumstance. Also, both
authors believe that at least one good question should be the focus of the
research and the writer must attempt to answer. Greene refers to this as
“framing.”
I have many
thoughts after reading this article. It was very interesting because of the
imagery depicted in the “night library” scene. I could instantly get a picture
in my head from scheduled class sessions in my high school library and most of
the students, including me, were just like the ones in Kleine’s vision. I
didn’t know how to deeply research. I wasn’t coming up with thoughtful questions
about a topic. All I was worried about was finding a good amount of sources in
different forms (books, internet, etc.) and getting as much information as
possible. Then I would get stuck when writing the paper because I had all this
information and no idea how to piece it together. Having read this article, I
feel the sense of purpose from doing a research paper that I didn’t get from my
high school teachers. They usually told us exactly what to write about with the
topic, but I probably would have gotten a more interesting experience if I
could choose whatever I wanted to write about within the topic. Kleine says
teachers should let students pick their own subjects to research, and in some
classes that might be fine, but in others I think the teacher should assign
what to research but don’t limit students on what intrigues them about the
topic.
Questions for Discussion and Journaling (QDJ)
#1) The “night library” vision that
Kleine describes is the most relatable part of the article. That was the way I
went about my research while I was in high school. I gathered as much
information as I could about the topic, but I hardly thought of the topic as
something to answer a deep question about. In my research, I was more of the
“gatherer” and not really a “hunter,” and Kleine describes being both at the
same time in order to become an effective researcher. Sometimes when I do try
to be a “hunter,” I don’t always find what I’m looking for and I get
discouraged. When I was a “gatherer,” I thought I was doing well because I had
a lot of notes and data but when it came to writing the paper I went blank.
However, without Kleine’s methods I still managed to get good grades on papers
that I turned in.
#3) In Kleine’s research, he
interviewed many professors to get his information. It was important to him to
question instructors from many different fields so he could see if there were
and preferences among areas and to compare and contrast them. In my research
experiences, I tried to get reliable sources from books and journal articles
and internet websites to get different perspectives and see which sources had
the same information so I’d know it was more credible. One of the differences
between Kleine’s research and my research is that he had primary sources from the
professors while I mostly had history relayed from some other author’s
knowledge. Another difference is that Kleine could directly ask his sources the
information that he needed, while I had to fish it out from several different
sources.
#4) If I was to change my research
according to Kleine, I would first start by gathering data because I used to
inquire on what I would write about before knowing anything about the subject.
My basic questions would be “what is this?” “how did this originate?” and “what
did it do?” which are good questions, but I could dig deeper into the topic. More
questions I could answer are “why did it happen?” “who did it affect?” and
“what changes does this make?”
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